48” x 48” and 30” x 30” Diptych Oil. 2024

“The title of my show, "a perfect day," reflects a juxtaposition between vibrant suburban scenes of post-war houses and the underlying tensions of contemporary life. Through my choice of colors, I aim to connect these seemingly idyllic settings to the provocative themes embodied in the titles of each painting.

For instance, "90 Seconds to Midnight" references the Doomsday Clock, a metaphor established in 1947 by Robert Oppenheimer and Albert Einstein to signify humanity's proximity to self-destruction due to nuclear war and climate change. Historically, the clock was set at 7 minutes to midnight during the Cuban Missile Crisis in 1962, a pivotal moment in global tensions. Today, amidst current events in Europe, it stands at 90 seconds to midnight-the closest it has ever been. This stark reality looms over our beautiful days.

As Pablo Picasso famously said, "Painting is a lie that leads to the truth." I embrace this notion, using the contrast between my paintings and their titles to foster dialogue. My work invites viewers to explore these contradictions, creating a space for reflection without overtly imposing a narrative. For me, this interplay is what makes a painting truly compelling.

That's a beautiful sentiment to convey in your artist statement. Here's a polished version you might consider:

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In conclusion, my artwork embodies a vibrant sense of hope, reflecting the belief that we can navigate through life's challenges by fostering dialogue and understanding. Each piece is a celebration of resilience, inviting viewers to engage with the optimism that arises from connection and empathy.

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